It should come as no surprise that I don't like the film Auto Focus. Neither do my coauthors, Linda Groundwater and Dee Young. And most notably, neither did the vast majority of the people who talked with us about Bob Crane for Bob Crane: The Definitive Biography.
Having gotten to know Bob through hundreds of his closest family members, friends, and associates, we were privileged to learn who he was, what made him tick, and how he lived his life. We take our work seriously. This is, after all, a man's life. Neither his addiction nor his murder are joking matters. We are professional. We are thorough. We are factual.
The same cannot be said for Auto Focus director Paul Schrader. As writer David Edelstein proclaimed in his 2002 article, Video Killed the TV Star, "Almost every time I see a film by Paul Schrader, I think about what a sensational subject he has gotten hold of and how I wish that someone else had stepped in to bring it to life."
In the same article, Bob's younger son Scott Crane rebukes Mr. Schrader's take on his father. "The movie is 'Auto Fiction!' he says. "Schrader's idea is to make my dad dark. 'Let's make him seedy' ... He's portraying a fiction as fact. Schrader has destroyed my father's reputation in the world."
Scott is 100% correct. We stand in solidarity with Scott and all those who see the film for what it is: Celluloid garbage.
This New York Times article, however, is just the tip of the iceberg. After combing through several resources about Auto Focus, it is clear as day that Mr. Schrader was not simply lazy in his research about Bob Crane for Auto Focus, he was intentionally wrong with conviction. It is unprofessional and unforgivable.
Access the articles mentioned in this episode:
The Stranger
Chicago Tribune
One Guys Opinion
Film Festivals
Filmmaker Magazine
Film Freak Central
Slate
New York Times
Transcript of the episode coming soon.
